Maqam bagdad?_音乐专辑
Maqam bagdad?
表演者: Husayn Ismao?l al-Aodzam?/Ensemble al-Kind?
专辑类型: Import
介质: Audio CD
发行时间: 1995-07-05
唱片数: 1
出版者: Al Sur
条形码: 3356570655124
曲目
01 - 12:19
? Maqam Awshar (A), modulations in B?sehl?k maqam (C),
Bayyat (C) and Mukhalif (B half-flat):
of the S?kah family, modulating in Rast, Mans?r? and Kurdan.
D?lab in Sao?d? maqam, Jurj?na,
? Takhm?s qas?da:
"Ya dhabyatan hama l-fu'adu bi-hubbiha, hal-la ra'ayati bi qalbyia l-majr?hi?
Al-hubbu li-l-'insani buroumun min dan?"
(Passionately cherished Gazelle, have you looked into my broken heart?
For man, love is the seed of languor),
poem attributed to Ibn Zurayq al-Baghdad?, expounded by Muhammad Sao?d al-Hubb?b?;
? ancient anonymous pasta: "Lêl baod lêl"
(Night after night)
02 - 6:46
? Maqam Bayyat or Bayyati (G), a mode attributed to a Kurd tribe
and celebrated in the 19th c. by the falsetto Ahmad Zaydan al-Bayyat?,
persian poems,
modulations in Saba (G), Husayn? Kurdan, Naw? and Muhayyar.
D?lab 4/4.
? J?za taqs?m;
? Ab?dhiyya:
"Ja'a l-hab?bu l-ladh? ahwaj min safarin wa-sh-shamsu qad aththarat f? khaddihi atthara"
(My love has come back from travelling, the sun has left a mark of beauty on her cheeks),
poem attributed to al-Akhras al-Baghdad?, sung by Khidr al-Ta'?,
wanné (humming) by the chorus of instrumentalists;
? Ancient anonymous pasta: "Alla la-safer le-l-Hend wa-sh?f hab?b"
(Yes, I will go all the way to India to see my love);
03 - 3:40
? oAtaba in Bayyat: "Ya b? shaor oal? l-djatfên"
(You whose hair floats on your shoulders);
? Pasta: "G?m darrejn?, la tkhaf men ahl? we-la omam?"
(Get up and caress me, don't worry about my family and my uncles!),
attributed to Hajj Zayir al-Najaf?.
04 - 12:18
? Maqam Awj (apogy) in B half-flat, modulations in maqam Bayyat (D),
Mukhalif (B half-flat) and Mustaoar (idem);
this mode is the 5th in the suite in Husayn?
and traditionally modulates in the S?kah family to which it belongs.
D?lab 4/4
? brief taqs?m by the j?za and the qan?n
? Qas?da: "La tal?m? taoallul? wa (i)shtiyaq?, ina qalb? as?ru yawma t-talaq?"
(Do not reproach my passion, nor my ardour, my heart is a hostage of the day we met)
poem attributed to Khidr al-Ta'?
? H?zam pasta maqam: "Ma hann oalayya we-la gal khatiyya"
(He did not have mercy on me and did not say a sin)
Jurjina 10/16, poem and music attributed to Muhammad al-Qubbanj?
05 - 13:55
? Maqam Rast Penjgah, modulations in Rast (F) maqam:
modulating in Rashid? and Penjgah.
? Taqs?m qan?n.
D?lab, Nusf wahda, 4/4
? Qas?da: "Mat? naltaq? mithla dhaka l-liqa? Ayna? Q?l? bi-haqqi s-sama"
(When will we meet again? Where? Tell me, in the name of Heaven),
poem attributed to al-Akhras al-Baghdad?,
? Pasta: "Qaddem l? burhanak"
(Show me proof of your love),
Sank?n Samaoi 10/16,
music and words attributed to Muhammad al-Qubbanji
06 - 9:34
? Maqam Hijaz Humay?n, modulation in Hijaz maqam (C):
modulation in Husayn?, reaching the Sahm scale and coloring in Muhayyar.
D?lab 3/4
? Qas?da: "Tawazzaoan? hammu man ahbabtu wa-ma innahum fi-l-qalbi sakanu t-tayri"
(Love has torn me and my loved ones are not the guardian angels of my heart),
poem attributed to Maor?f al-Rusaf?.
? Ancient anonymous pasta, J?rj?na: "E-yom eloh y?mên ma marr oalayya"
(Today, it will be two days that he has not come to see me)
07 - 8:32
? Saba maqam (D):
mode of the east wind and the blossoming of dissapointed passions;
the rare Rakb scale is used (G half-flat) and modulated in Hijaz, Rast and D?kah.
This mode is nostalgic and melancholic and invariably talks
of the tragedy of unreciprocal or faded love.
D?lab 4/4
? taqs?m qan?n. classic verses
? Ab?dhiyya: "Wa-madha bi-Layl? qad hada wa taghayyarat"
(What mourning is affecting Layl? and has changed her so?)
a poem atributed to the passion cycle of the legendary Majn?n Layla;
? Anonymous ancient pasta "Yumma hna yumma"
(Mama, over here, Mama)
