当前位置:在线查询网 > 音乐专辑 > Antonio Salieri: Prima La Musica Poi Le Parole / Alessandro Scarlatti: Lesbina e Adolfo

Antonio Salieri: Prima La Musica Poi Le Parole / Alessandro Scarlatti: Lesbina e Adolfo_音乐专辑


请输入要查询的音乐专辑:

可以输入音乐专辑名称或者关键词

Antonio Salieri: Prima La Musica Poi Le Parole / Alessandro Scarlatti: Lesbina e Adolfo

表演者: Salieri & A. Scarlatti/Graziano Polidori/Giorgio Gatti/Maria Casula/Kate Gamberucci/Daniela Uccello/Orchestra de Camera della Filarmonica della Boemia del Nord/Domenico Sanfilippo

介质: CD audio

发行时间: 1998-10-01

唱片数: 2

出版者: Bongiovanni

条形码: 8007068206322

专辑简介


Music composed by Antonio Salieri. Libretto by Giovanni Battista Casti.
  --------------
  First performance: 7 February 1786, Sch?nbrunn Orangerie, Vienna.
  ----------------
  Principal performers:
  Maestro Bass
  Poet Bass
  Eleonora Soprano
  Tonina Soprano
  Setting: A room in the house of the Maestro
  -------------
  Synopsis:
  Count Opizio orders a new opera to be written within the space of four days. The composer has already turned out the score, but the poet, suffering from deadline pressure, must adapt his verses to the existing music. Eleonora, the prima donna hired for the opera by the Count, enters and delivers a sample of her vocal artistry. Together with the Poet and the Maestro, she acts out a scene from Giuseppe Sarti’s Giulio Sabino that devolves into a grotesque parody. Eleonora exits, and the librettist and the composer wrestle with the problem of writing a new text for the existing music or producing music for an existing text. A lengthy dispute ensues. Tonina, representing opera buffa, enters and demands a role in the new opera. The composer and the librettist quickly concoct a vocal number for her. A quarrel then erupts between the two singers as to which of them should sing the opera’s opening aria. The scene culminates in having both sing their arias simultaneously. The composer and the librettist are able to pacify the two ladies by agreeing to a juxtaposition of the seria and buffa styles, thereby putting a conciliatory end to their quarrel.

曲目


Prima la musica e poi le parole
Composed by Antonio Salieri
Performed by Boemia del Nord Philharmonic Chamber Orchestra
with Graziano Polidori, Giorgio Gatti, Maria Casula, Kate Gamberucci
Conducted by Domenico Sanfilippo
Lesbina e Adolfo
Composed by Alessandro Scarlatti
Performed by Boemia del Nord Philharmonic Chamber Orchestra
with Daniela Uccello, Giorgio Gatti
Conducted by Domenico Sanfilippo
------------
Disc 1:
1 Sinfonia
2 Scène Première - "Signor poeta mio"
3 Scène Première - "Or tant'è; decidete"
4 Scène Deuxième - "Deo gratias"
5 Scène Deuxième - "Non dubitar, verrò"
6 Scène Deuxième - "Là tu vedrai chi sono"
7 Scène Deuxième - "Cari oggetti del mio core"
8 Scène Troisième - "Alfin la prova ha terminato"
9 Scène Troisième - "Se questo mio pianto il cor non ti tocca"
10 Scène Troisième - "Castrato! Cosa diavolo voi dite?"
11 Scène Quatrième - "La cosa va prendendo buona piega"
12 Scène Cinquième - "E il maestro dov'è"
13 Scène Sixième - "Signor Poeta"
14 Scène Sixième - "La paix, la paix"
15 Scène Sixième - "Via, largo raggazzi!"
16 Scène Sixième - "Per carità, finite questa scena"
17 Scène Sixième - "Cucuzze! Che concorso!"
18 Scène Ultime - "Per pietà, padrona mia"
19 Scène Ultime - "Eppure quell'orgoglio diverte"
Disc 2:
1 Scène Première - "In su l'ora mattutina"
2 Scène Première - "Intendimi ben mio"
3 Scène Première - "Lesbinetta semplicetta"
4 Scène Deuxième - "Chi combatte, chi contrasta"
5 Scène Deuxième - "Tu dici ch'io ti piaccio"
6 Scène Troisième - "Adolfo, ben tornato"
7 Scène Troisième - "Peno, piango, singhiozzo"
8 Scène Quatrième - "Ho un certo core in me"
9 Scène Quatrième - "Moscone amoroso"
10 Scène Quatrième - "Son tenera di core"
11 Scène Cinquième - "Voglio spassarmi alquanto"
12 Scène Cinquième - "Mio dolce amore"
13 Scène Cinquième - "Mi sento ardito"