Leonard Bernstein: The 1953 American Decca Recordings_音乐专辑
Leonard Bernstein: The 1953 American Decca Recordings
又名: Leonard Bernstein
专辑类型: Box set
介质: Audio CD
发行时间: 2005-02-08
唱片数: 5
出版者: Deutsche Grammophon
条形码: 0028947700029
曲目
Disc 1:
1. Symphony No.3 in E flat, Op.55 -"Eroica" - 1. Allegro con brio
2. Symphony No.3 in E flat, Op.55 -"Eroica" - 2. Marcia funebre (Adagio assai)
3. Symphony No.3 in E flat, Op.55 -"Eroica" - 3. Scherzo (Allegro vivace)
4. Symphony No.3 in E flat, Op.55 -"Eroica" - 4. Finale (Allegro molto)
5. Musical Analysis (Bernstein on Beethoven′s Symphony No.3, op.55, "Eroica") - "Simplicity itself..." (1st movement)
6. Musical Analysis (Bernstein on Beethoven′s Symphony No.3, op.55, "Eroica") - "I always feel this gigantism" (2nd movt.)
7. Musical Analysis (Bernstein on Beethoven′s Symphony No.3, op.55, "Eroica") - "We have just been examining..." (3rd movt.)
Disc 2:
1. Musical Analysis (Bernstein on Beethoven′s Symphony No.3, op.55, "Eroica") - "All that we have said" (4th movt.)
2. Musical Analysis (Bernstein on Beethoven′s Symphony No.3, op.55, "Eroica") - "The study of the Eroica is a lifetime work,..."
3. Symphony No.9 in E minor, Op.95 "From the New World" - 1. Adagio - Allegro molto
4. Symphony No.9 in E minor, Op.95 "From the New World" - 2. Largo
5. Symphony No.9 in E minor, Op.95 "From the New World" - 3. Scherzo (Molto vivace)
6. Symphony No.9 in E minor, Op.95 "From the New World" - 4. Allegro con fuoco
7. Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World" - 1. "Does this music sound like the New World to you?" (3rd movt., Trio II; 1st movt.)
8. Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World" - 2. "We come now to the second movement, which has a charming melody, ..." (2nd movt.)
9. Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World" - 3. "The third movement is a marvel of ingenuity and deftness" (3rd movt.)
10. Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World" - 4. "And now the last movement. In general I should say that this is the most Slavic of all" (4th movt.)
11. Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World" - 5. "The final claim of those who argue for the New World Symphny as American music, ..." (4th movt.,cont.)
Disc 3:
1. Symphony No.2 in C, Op.61 - 1. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
2. Symphony No.2 in C, Op.61 - 2. Scherzo (Allegro vivace)
3. Symphony No.2 in C, Op.61 - 3. Adagio espresssivo
4. Symphony No.2 in C, Op.61 - 4. Allegro molto vivace
5. Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61 - 1. "Robert Schumann has been dead..." (3rd movement, opening theme)
6. Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61 - 2. "To my mind Schumann follows in this tradition"
7. Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61 - 3. "Now let′s look at the symphony itself" (1st movement)
8. Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61 - 4. "And so we have arrived at the Allegro section..." (1st movt. cont.)
9. Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61 - 5. "In the marvellous Scherzo that follows..." (2nd movt)
10. Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61 - 6. "But perhaps the greatest beauty..." (3rd movt.) Leonard Bernstein
11. Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61 - 7. "Even in the final movement" (4th movt.) Leonard Bernstein
Disc 4:
1. Symphony No.4 in E minor, Op.98 - 1. Allegro non troppo
2. Symphony No.4 in E minor, Op.98 - 2. Andante moderato
3. Symphony No.4 in E minor, Op.98 - 3. Allegro giocoso - Poco meno presto - Tempo I
4. Symphony No.4 in E minor, Op.98 - 4. Allegro energico e passionato - Più allegro
5. Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement - 1. "Brahms′ Fourth Symphony in E minor is today ..." (4th movt., opening theme)
6. Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement - 2. "Our journey begins without introduction..."
7. Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement - 3. "Do you see now what a symphonic theme is?"
8. Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement - 4. "Now, think of it - we have so far only had 44 bars of music"
9. Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement - 5. "Here is that second theme"
10. Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement - 6. "This brings us to the development section proper"
11. Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement - 7. And here we are back home, ready for the rehearing of the exposition, ..."
12. Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement - 8. "So we arrive at the coda"
13. Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement - 9. "Well, we have had a microscopic look at symphonic method"
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Disc 5:
1. Symphony No.6 in B minor, Op.74 -"Pathétique" - 1. Adagio - Allegro non troppo
2. Symphony No.6 in B minor, Op.74 -"Pathétique" - 2. Allegro con grazia
3. Symphony No.6 in B minor, Op.74 -"Pathétique" - 3. Allegro molto vivace
4. Symphony No.6 in B minor, Op.74 -"Pathétique" - 4. Finale (Adagio lamentoso - Andante)
5. Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique" - 1. "Now there is a melody, a pure orchestral song..." (1st movt.)
6. Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique" - 2. "Now the development section erupts..." (1st movt. cont.)
7. Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique" - 3. "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movt)
8. Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique" - 4. "Jumping now to the famous third movement, the great March..." (3rd movt.)
9. Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique" - 5. "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movt.)
10. Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique" - 6. "Now I don′t want to give you the impression that scales are the only unifying force in this work"
