AN DIE MUSIK Das 4D-Konzert_音乐专辑
AN DIE MUSIK Das 4D-Konzert
介质: Audio CD
唱片数: 1
出版者: Deutsche Grammophon
条形码: 0028944580921
专辑简介
The development of digital technology revolutionized the record industry. The new medium of the compact disc made it possible to achieve brilliant sound without the surface noise associated with older recordings. Deutsche Grammophon was the first to enter the market, when Herbert von Karajan recorded Richard Strauss's "Eine Alpensinfonie" with the Berlin Philharmonic in 1981 - the first classical work to find its way on to compact disc.
"Everything else is gaslight" was Karajan's unambiguous verdict on digital recordings. His vote of approval became the battle cry in a worldwide campaign to promote the new medium. Only when it had won widespread acceptance with lovers of classical music could the compact disc embark on its triumphal progress through the world of pop music, too. Deutsche Grammophon Gesellschaft has always used the best and most advanced recording techniques and in doing so has followed the lead given by its founder, Emile Berliner, whose two inventions of the gramophone and the disc proved the decisive breakthrough in the mass production of sound equipment. Further stages in this development were the change from acid-etched zinc plates to wax recordings in 1901, the introduction of the shellac disc and, in 1922, the introduction of the "father-mother-son" process for matrix production.
In 1925 the development of electrical recording meant that the entire repertoire had to be recorded all over again - by no means the last time that this was to happen. High fidelity, stereophonic sound and magnetic tape were further milestones in the development of audio technology.
The next great leap forward in the history of recording technology was the introduction of digital recording, which has now helped to establish the compact disc as the leading sound storage medium. Once again, the complete repertoire has been recorded, thereby giving a new generation of artists a chance to preserve their performances for posterity. Deutsche Grammophon has refined this technology with its state-of-the-art 4D Audio Recording system. At the same time, high-tech developments such as 24-bit Surround Technology and Original-Image Bit-Processing are invariably placed in the service of the music and musicians.
All these innovations have been used by Deutsche Grammophon to ensure that works and performances are recorded and reproduced in the most natural way possible. In the process, an understanding of music is as indispensable as technical know-how. Already in the 1950s, Deutsche Grammophon Gesellschaft acknowledged the importance of the role of the Tonmeister or balance engineer by recognizing it as a distinct profession. Initiatives in this area were led by the producer Erich Thienhaus, who, in 1946, had helped to set up the Tonmeister-Institut in Detmold, Germany. Here balance engineers are professionally trained both in classical music and in acoustics and electrical engineering.
Deutsche Grammophon Gesellschaft has always used the best and most advanced recording techniques and in doing so has followed the lead given by its founder, Emile Berliner, whose two inventions of the gramophone and the disc proved the decisive breakthrough in the mass production of sound equipment. Further stages in this development were the change from acid-etched zinc plates to wax recordings in 1901, the introduction of the shellac disc and, in 1922, the introduction of the "father-mother-son" process for matrix production.
In 1925 the development of electrical recording meant that the entire repertoire had to be recorded all over again - by no means the last time that this was to happen. High fidelity, stereophonic sound and magnetic tape were further milestones in the development of audio technology.
曲目
1) O Fortuna [2:45]
Gustav Mahler (1860-1911)
Symphony No. 5
2) 4th movement: Adagietto [9:45]
Franz Schubert (1797-1828)
3) An die Musik [2:36]
Peter Ilyich Tchaikovsky (1840-1893)
The Nutcracker (Suite)
4) Waltz of the Flowers [6:26]
Edvard Grieg (1843-1907)
Lyric Pieces
5) Wedding Day at Troldhaugen [5:13]
Richard Strauss [1864-1949]
Vier letzte Lieder
6) Im Abendrot [7:44]
Maurice Ravel [1875-1937]
Rapsodie espagnole
7) Habanera [3:28]
8) Feria [6:41]
Wolfgang Amadeus Mozart [1756-1791]
Le nozze di Figaro
9) Cavatina: "Se vuol ballare, signor Contino" (Act I) [2:28]
Felix Mendelssohn (1809-1847)
A Midsummer Night's Dream
10) Wedding March [5:08]
George Frideric Handel (1685-1759)
Donna, che in ciel di tanta luce splendi HWV 233
11) Aria with chorus: "Maria, salute e speme" [4:41]
Luigi Boccherini (1743-1805)
String Quintet op. 11 (13) no. 5
12) Menuet (arr.: Mischa Maisky) [3:55]
Mikhail Glinka (1804-1857)
Ruslan and Ludmila
13) Overture [4:43]
Igor Stravinsky (1882-1971)
L'Oiseau de feu
14) Danse Infernale du roi Kachtche? [3:54]
Richard Wagner (1813-1883)
Die Walküre
15) Walkürenritt (Act III) [4:48]
