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Lets Get Free

表演者: Dead Prez

流派: 说唱

专辑类型: 专辑

介质: CD

发行时间: 2000-02-22

唱片数: 1

出版者: Relativity

条形码: 0088561186722

专辑简介


dead prez may have been slightly ahead of their time during their golden years, but that is definitely meant as a compliment. Sermonizing Black Nationalism, Pan-Africanism and the benefits of a healthy and just lifestyle during the height of the Bad Boy/Roc-A-Fella era of nihilistic excess in the late ‘90s, they also signed to a major label (Loud / Columbia) despite leaning much more towards the burgeoning indie aesthetics of the day. But this was a good thing – using major label muscle to wake up righteous hip-hop fans who might have fallen asleep at the wheel.
  The group itself – consisting of MCs stic.man and M-1, who produced or co-produced most of the duo’s music – was formed in Tallahassee, Florida in the early 1990s (M-1 originally hailed from Brooklyn). By later that decade, the duo had started making significant waves, having their music heard on the soundtracks to “Soul In The Hole” and “Slam,” as well as appearing on albums by Big Pun and The Beatnuts.
  By 1998, they released their first official single, the serious, stark “Police State,” on Loud, appropriately brought to the label by Lord Jamar of Brand Nubian. After building a solid rep over the next two years with fiery live performances, in 2000 they unleashed their debut album, Let’s Get Free. The album was a welcome return to provocative and often radically political rhetoric that hearkened back to hip-hop forebears including The Coup, Public Enemy and KRS-One (as well as poetic descendants like the Last Poets and Watts Prophets).
  Let’s Get Free was critically acclaimed and benefited from multiple singles, including the infectious, thick analog drive of “Hip-Hop” (which became the de facto theme song for “Chappelle’s Show”); “It’s Bigger Than Hip-Hop,” with a remix co-produced by a young Kanye West; “Mind Sex” (with Abiodun Oyewole of the Last Poets); and the poignant “I’m An African.”
  But the singles weren’t the only worthy songs, as just about every cut here has deeper meaning than most full albums by their early 2000s peers. Highlights: the thought-provoking, anti-drug album opener “Wolves”; “We Want Freedom” (co-produced by frequent collaborator Hedrush); “They Schools” and “Propaganda” (co-produced by Lord Jamar, one of five songs he assisted on).
  All in all, this is one of the more underrated and possibly Top 5 fully-realized political hip-hop albums of all time. If you don’t agree with the previous sentence, give Let’s Get Free another listen… you might be surprised at how well it has held up over the years.

曲目


1. Wolves
2. I'm A African
3. 'They' Schools
4. Hip-Hop
5. Police State
6. Behind Enemy Lines
7. Assassination
8. Mind Sex
9. We Want Freedom
10. Be Healthy
11. Discipline
12. Psychology
13. Happiness
14. Animal In Man
15. You'll Find A Way
16. It's Bigger Than Hip-Hop
17. Track 17
18. Track 18
19. Track 19
20. Track 20
21. Track 21
22. Track 22
23. Track 23
24. Track 24
25. Track 25
26. Track 26
27. Track 27
28. Track 28
29. Track 29
30. Track 30
31. Track 31
32. Track 32
33. Track 33
34. Track 34
35. Track 35
36. Track 36
37. Track 37
38. Track 38
39. Track 39
40. Track 40
41. Track 41
42. Track 42
43. Track 43
44. Propaganda
45. The Pistol
关键词:Lets Get Free